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- #ESTEY ORGAN SERIAL NUMBERS GENERATOR#
- #ESTEY ORGAN SERIAL NUMBERS PORTABLE#
- #ESTEY ORGAN SERIAL NUMBERS SERIES#
The 300 series boasted swedish made stainless reeds. Laminate cases and 37 keys instead the 27 that came with the 200 series. ORCOA name remained on the organ as ORCOA by Estey.įor the 300 reed chord organs were basically the same, but with walnut These organs were inexpensive to make and sold for $50-$100 retail. Reeds as if it were an accordion (hence the Italian sourcing of guts). Of the electrical aspect of these organs. The keyboard assemblies were imported from Italy At the ORCOAįacility on Long Island, wooden cases were constructed and the keyboardĪssembles installed along with a AC motorized impeller fan. Sonny Knazick established ORCOA as a inexpensive student organ company. Prior to the 1961 merger with Estey, Stan Green and The 721/722 were called the Americanna, and theħ41/742 were called the California.
#ESTEY ORGAN SERIAL NUMBERS PORTABLE#
Portable organ that came with a BP-1 battery pack. Rhythm/percussion devices (foxtrot anyone?) The 700P was a The 500 and 700 series were transistorized
#ESTEY ORGAN SERIAL NUMBERS GENERATOR#
The tone generator section used neon oscillatorsįor the 12 notes, and six twin-triode 12AU7s for the lower octaves. The early tube versions used a single-ended 6V6 driven amplifier and anĨ" or 10" speaker. The 851/852 was called The Philadelphian.Īt minimum, this organ was produced from 1961 to 1966 (quite possibly earlier). Keyboards, a 13 note foot pedal clavier, an expression pedal (volume), plant, and later after 1965, at the Harmony Penn. The 800 series organs was Estey's premium line of home organs.Įarly versions were tube driven, and later versions wereĪdvertised as fully transistorized. Unclear if they were ever made in Harmony or not. Volume "expression" pedals, sustain draw-bars, two seperate vibratos,īy 1966, orders for the 900 series organs were non-existant. Had five speakers (3 tweeters and 2 larger speakers), Exterior finish wood was the primary distinctionīetween the different models, the circuit was the same for all models.įor this reason, engineers simply referred to the President as
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Prices were in the $1,400 to $1,500 range, and the dealer cost These organs were called the President Series and model numbers So Estey engineers needed to design strict voltage regulation into
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Supply voltage irregularities would change the tuning of each note, Once assigned a grade, the bulbs were color codedīased on what tone generator they would be used for.ĭue to the characteristics of relaxation oscillators, power That the neon bulbs had to be aged and graded for the same trigger The divider circuits for the lower frequencies were finicky, andĮach oscillator and divider stage had its own trim pots. Temperature and humidity, and there were some problems with qualityĬontrol during assembly that caused production waste and delays. To the competition's organs that were fitted with up to 50 tubes,ĭesigns suffered some instability issues with the oscillators due to Looked a lot like the guitar amps at the time. Require massive transformer windings to handle the filamentįor the vibrato, reverb, and power sections, the organs would have The neon lamps had small high voltage current draw and didn't Other organs that produced the same with 40+ twin-triode tubes. This made the organ light-weight compared to A sawtooth wave originated a signal forĮach note, and lower octaves were produced with frequency dividerĬircuits. The early electric organs designed and built in torrance used neonīulbs as oscillators. To compete in the market, so the new electric organs wereĭesigned from scratch. Prior to Magna's involvement with Estey, Harald Bode hadīy 1959, it was too expensive to build and perhaps too heavy Had of it was in a press release Chilton made about taking over It seems like aĬatalog carryover from the Brattleboro era, and the only record I If this organ was ever produced in Torrance or not. To show some traction (and perhapsĮstey continuity), Chilton announced the development of a new Magna had a successful tone cabinet in production, but needed to quickly The other company sort out Estey into something profitable. Was to buy another company (this time a successful one), and let Injecting cash into didn't help, so his next attempt to rescue it New York financier Arnold Bernard knew nothing of the musicīusiness when he took over the Estey Organ Company. My article on the history of Magna and Estey.
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Lyric, Oahu, Noble, PAC-AMP, PANaramic, Titano, Tonemaster, LoDuca, Twilighter Tubesįor the history of Estey prior to 1957, seeĪbout the takeover of the bankrupt Estey by Arnold Bernard, Magnatone Amplifiers: 1937-1947 Dickerson 1947-1954 Early Magna 100 Series
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